Veteran Hollywood Picture Editor Fearful of Job Disruption by Artificial Intelligence

In a career spanning over 40 years, Thomas R. Moore has been a prominent figure in Hollywood as a picture editor for numerous network television shows. His role has been integral in shaping the final outcome of episodes, involving intricate processes and keen attention to detail. However, the landscape of his profession is on the brink of a significant transformation, one that could potentially redefine the role of picture editors in the industry.

The traditional workflow

Historically, Moore's annual workflow has been characterized by the methodical editing of multiple episodes over an extended period. His tasks would typically entail condensing extensive footage into the initial cut of an episode, followed by a collaborative process of incorporating feedback from various stakeholders. This meticulous approach resulted in a high-quality final product but demanded a substantial time investment from Moore and his fellow editors.

Adaptation to the streaming era

Even with the evolution of streaming services and their impact on the traditional TV landscape, the role of picture editors has remained relatively stable. The compensatory structure, with an annual income ranging from $125,000 to $200,000, has provided a sense of stability. Furthermore, the flexibility to engage with multiple shows in a year has mitigated the effects of shorter seasons prevalent in the streaming era.

Concerns over technological encroachment

Despite the resilience displayed by picture editors in the face of evolving industry dynamics, the emergence of artificial intelligence (A.I.) looms as a formidable challenge. Moore, in expressing his apprehensions, articulated a legitimate fear of the potential ramifications of A.I. integration in the field of picture editing. He emphasized that the advent of A.I.-generated "first cut" versions of shows could substantially diminish the conventional workload by as much as a third, thereby disrupting the established modus operandi.

The encroaching threat of automation

The looming specter of automation in the form of A.I.-driven video editing software, such as Sora, serves as a tangible manifestation of the encroaching threat. Moore's assertion that A.I. is on the cusp of precipitating a seismic shift in the industry raises pertinent questions about the future of picture editing as a vocation. Furthermore, his stark prediction of a potential relegation to "electronic gig workers" accentuates the magnitude of the impending upheaval.